Tagged with Karen Thompson Walker

Karen Thompson Walker’s “The Age of Miracles”

In Karen Thompson Walker’s much-talked-about debut, The Age of Miracles, civilization is rocked by the news of a slowing in the earth’s rotation—”the slowing,” as it’s referred to in the novel—that extends the length of day beyond twenty-four hours, wreaking havoc on the environment, commerce, and day-to-day human interaction. Suitably, it’s the latter that our narrator Julia, a twelve-year-old girl from Southern California, focuses on: the disintegration of her family, losing friends, and finding a boyfriend.

One need not squint to see why Random House handed Walker, a graduate of the Columbia University MFA program, a million dollars for her debut. The formula is HOT! HOT! HOT! right now: a dystopian tale framed around a twelve-year-old girl’s coming of age story. And going by the moments that focus exclusively on Julia’s development and middle-school issues, it’s clear that Walker’s a talented writer with a skill for crafting sharp, witty dialogue and insightful conflict. Take the titular scene, for instance. Continue reading

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Five Debuts to Watch

In a way, 2011 was the year of the debut: Chad Harbach, Karen Russell, Teju Cole, and Téa Obreht enchanted with first-time efforts. Though 2012 hasn’t offered any debuts on the literary level of Open City, or any with the blistering industry-wide hype to match The Art of Fielding, the second-half of this year will feature many notable debuts that you’ll be hearing a lot about—some of which we’re lucky enough to review.

Here are five to watch.

Karen Thompson Walker’s The Age of Miracles (Random House, June 26)
The year’s representative from the Earth-Shattering Hype category might be this debut from Walker, a former editor at Simon & Schuster. The Age of Miracles has a bold premise: the earth has, inexplicably, started to slow. And all the while the eleven-year-old Julia must find a way to cope while being a person with those other problems—you know, the ones that don’t have an effect on the earth’s rotation, like losing friends or watching her family disintegrate. Early reviews have been stunningly positive, with Publisher’s Weekly calling it a “triumph of vision, language, and terrifying momentum.” Continue reading

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