Tagged with Kevin Powers

Kevin Powers’s “The Yellow Birds”

America is often reminded by its elected leaders and government officials that War is Hell. This is not offered as a condemnation of the act, but as a valorized supporting argument: war’s totally bad but we do the totally bad thing because the alternative is way, way worse—trust us!—and it’s not like we want to do all the messy stuff that comes with war, we kinda have to, shrug. And it seems like every few weeks Americans are reminded—by way of violence on another continent or a report on our fleet of flying death robots—just how bad war is, while our leaders bluster about more more more war to the world.

It’s my generation’s great shame. As someone who studied history, I’m hesitant to cliche it up and say that history will not justify our carelessness and our cruelty and our killing—but what the hell, man, it’s true. We’re not coming out of this looking good.

In his gutpunch of a debut, The Yellow Birds, Kevin Powers doesn’t let your mind stray far from that shame for a moment. The story of two friends—Privates Bartle and Murphy—is not only a striking and seemingly flawless first novel but also a brutally and importantly honest account of America’s “shitty little war” in Iraq.  Continue reading

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Five Debuts to Watch

In a way, 2011 was the year of the debut: Chad Harbach, Karen Russell, Teju Cole, and Téa Obreht enchanted with first-time efforts. Though 2012 hasn’t offered any debuts on the literary level of Open City, or any with the blistering industry-wide hype to match The Art of Fielding, the second-half of this year will feature many notable debuts that you’ll be hearing a lot about—some of which we’re lucky enough to review.

Here are five to watch.

Karen Thompson Walker’s The Age of Miracles (Random House, June 26)
The year’s representative from the Earth-Shattering Hype category might be this debut from Walker, a former editor at Simon & Schuster. The Age of Miracles has a bold premise: the earth has, inexplicably, started to slow. And all the while the eleven-year-old Julia must find a way to cope while being a person with those other problems—you know, the ones that don’t have an effect on the earth’s rotation, like losing friends or watching her family disintegrate. Early reviews have been stunningly positive, with Publisher’s Weekly calling it a “triumph of vision, language, and terrifying momentum.” Continue reading

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