Tag Archives: Politics

Geoffrey Nunberg’s “Ascent of the A-Word: Assholism, the First Sixty Years”

Intersections of the American public and its academy are too rare. This is for myriad reasons. College is expensive and exclusive. The individual research of professors—especially in the humanities—is too obscure to have much traction with the small share of Americans who actually read books. And perceptions of the ivory tower/elitism owe a good deal to that expense and exclusion and obscurity.

Geoffrey Nunberg isn’t exactly a household name—no academic is. But Nunberg is known, his writings on language appearing in The New York Times and other publications, his voice heard often on NPR’s Fresh Air. Of course, The Times and public radio have very specific audiences. But with that proviso in mind, it’s clear that Nunberg’s been able to branch out of academia more than his fellow linguists.

Enter Ascent of the A-Word: Assholism, the First Sixty Years, Nunberg’s charming and comprehensive study of the history, usage, and culture of the word asshole. If ever there were a word to unite Americans—academics, steelworkers, etc.—in 2012, it’d be asshole, for its common usage and what it evokes: our worries about our declining civility. But Nunberg’s work isn’t meant to sound the alarm about anonymous people being dicks in line at Cosi or pregnant women being forced to stand on public transportation. Rather, he’s more interested in its origins, rise, and definition.  Continue reading

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Roya Hakakian’s “Assassins of the Turquoise Palace”

Lost in the election-year drudgery that is America’s current foreign policy discussion is a fact most won’t dispute: The Ali Khameini regime in Iran has been brutal at home and abroad, restricting human rights within its borders and supporting murders and assassinations around the world. While the right-wing saber-rattling has been nothing short of irresponsible and misguided, a naturally broad rebuttal against their IRAN IS ALL-POWERFUL AND BAD FOLKS argument leads to a denial of the total shittiness of Khameini and his clerical thugs, granting the terrible leaders of post-Shah Iran the clemency they don’t deserve. (And while we’re on the subject of who deserves what: the Iranian people don’t deserve Khameini, et al.)

In this context, Roya Hakakian’s Assassins of the Turquoise Palace is a great read, an example of the pathetically infantile pettiness carried by the Khomeini-Khameini regimes. Hakakian’s subject is an assassination in September 1992, the gunning down of four Iranian-Kurdish leaders at a Greek restaurant (Mykonos) in Berlin. At a meeting of opposition members, two “hulking, bearded figures” executed the killings with a chilling lack of precision, firing a silenced machine gun with little regard for who was and wasn’t hit. Continue reading

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Peter Beinart’s “The Crisis of Zionism”

Around this time last year, Matt Taibbi included a little snippet in his mailbag that stuck with me, and seems especially relevant when talking about Peter Beinart’s new book, The Crisis of Zionism.

Three things I try to avoid talking about publicly: Immigration, the Israel/Palestine conflict, and the CMKM Diamond penny-stock case. The instant you open your mouth about any of those things, you’re fucked, almost no matter what you say.

To wit, Beinart, who has faced a fury of criticism from the right and left and center in the last month or so. Daniel Greenfield thinks The Crisis of Zionism is proof of Beinart’s anti-Zionist, leftist Islamist motives. Mark LeVine, a professor at UC-Irvine, criticized Beinart’s “liberal Zionist fantasy,” accusing him of historical ignorance and naivete regarding the imperialist roots of Zionism. And Jeffrey Goldberg of The Atlantic believes Beinart’s idea to boycott goods and services produced in occupied territories (i.e., the settlements) won’t work and, further, “for historical reasons,” is “pretty unpleasant.”

When it comes to writing about the Israeli-Palestinian conflict, as with all hugely divisive topics, it’s likely that you won’t please anyone.

Or as Taibbi put it, you’re fucked. Continue reading

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