Tag Archives: Richard Ford

The Five Best Books of 2012 (So Far!)

So last year, toward the end of December, we discussed the possibility of writing a BEST BOOKS OF 2011 list. But we didn’t come on the scene or whatever until late August, so we clearly couldn’t write with any authority about the best releases January through July. And even from August on, we didn’t review a ton of books, as we were trying to get our footing/figure out what the heck we were doing/write quality reviews.

But we’ve planned out 2012 pretty well, focusing on reviewing the most prominent/important releases. We’ve missed a few we wish we could have reviewed—books by Adam Wilson, John Green, Sheila Heti, etc.—but there’s only so much time, and so many of us.

Still, we’re pretty happy about what we’ve reviewed, about 2012 as a year in literature. So through today, a little more than halfway through this calendar year, here’s our top five—in no order, because because. Continue reading

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Richard Ford’s “Canada”

Richard Ford’s breathtaking seventh novel, Canada, offers some tips on how to live a life, none of which are new or particularly revolutionary: perspective, moderation, acceptance. But it’s how Ford dispenses these lessons—through the charmingly earnest lens of sixty-six-year-old Dell Parsons, our narrator—that makes Canada so optimistic despite its dark content, so essential for its simplicity, and far and away the best novel of 2012.

The opening lines make clear some great awfulness will follow. “First, I’ll tell about the robbery our parents committed,” Dell says from 2010, fifty years later. “Then about the murders, which happened later.” While these events are at the center of the first two sections of the three-part novel, Ford devotes little time to the crimes in the narrative—something he’s answered to in interviews—focusing instead on Dell’s family history, as well as his general day-to-day home life in Great Falls, Montana. Dell and his twin sister Berner are different kinds of fifteen-year-olds: Berner’s a little more wild, stronger, daring; Dell is eager to get better at chess, anxious to learn but not particular smart, and interested in beekeeping. Continue reading

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Episodes in Strange Reading Environments

Or, reading a book about a man in his fifties taking an eleven-year-old girl (to whom he is not related) on a cross-country trip where he sees her naked, bathes her, holds her hand, looks longingly into her eyes, etc. while riding the train. (Review of LAMB will be up by week’s end; all I can say right now: disturbing.)

There are times when reading is not optimal. When the alternative—perhaps staring into space or finding a way to wage a thumb war by yourself—might be a more suitable use of your time. Reading Bonnie Nadzam’s LAMB today on the train got me thinking, “When have I read something and felt immediately uncomfortable, or maybe different, about my surroundings?”

Last year, riding the high of a senior-year-in-college bout of idealism, I decided to make my annual trek from the flat expanse of west-central Illinois to Boston by Amtrak. The twenty-nine-hour trip—which was delayed six hours—was supposed to be a time for reading and writing; the latter was no guarantee, but the former seemed fool-proof. I brought along THEN WE CAME TO THE END by Joshua Ferris, NINE STORIES by J.D. Salinger, THE SPORTSWRITER by Richard Ford, and REVOLUTIONARY ROAD by Richard Yates.

Starting with Yates, I figured, was the safest option. Though all of the books were heralded, I had read Salinger, wasn’t quite in the mood for Ferris’ collective first person-ing, and thought Ford’s brand of slow, steady prose would put me to sleep. So, Yates it was. Frank and April Wheeler were my traveling partners.

Continue reading

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