Tag Archives: The Marriage Plot

#fridayreads

As we ready ourselves for a week of new content — the aforementioned Beinart and Lakhous, along with a special guest review — I must admit that I’ve been enjoying the fake-summer heatwave, so my reading time has taken a hit. I have — like so many other like-minded folks — been absolutely engrossed in the Trayvon Martin tragedy. There is little more to say than this whole situation is very bad, in every imaginable way.

Many have recommended Teju Cole’s Atlantic piece, “The White Savor Industrial Complex,” a wonderfully measured, provocative-in-that-it’s-so-fucking-spot-on piece about not only the intrinsic wrongheadedness of Kony 2012 and the Invisible Children organization but also the attitude — or perhaps worldview — that enables such lily-white activism. It’s worth reading, not only because it’s a wonderful piece of writing, but because it links to the work of African scholars who take issue with the Kony 2012 movement. Continue reading

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Good Book, _______ Movie

Wringing your hands about a film adaptation of your favorite book is a little tired, amirite? Listen: we’ve all been there. We’ve all been disappointed in the adaptation of our favorite books. When Faulkner died, did he know his unpublished manuscript Black Sheep would be adapted for the big screen? Probably not—but it was, and David Spade may not have done everything, but he did his best.

We are well aware that films cannot accurately convey what prose can; that the act of reading is a far more personal, participatory, one-on-one experience than the passive act of viewing a film (burn in hell, portable DVD players). We don’t need to talk about this.

OKAY FINE, let’s talk about this. Continue reading

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Jeffrey Eugenides’ “The Marriage Plot”

The Marriage Plot, Jeffrey Eugenides’ long-awaited follow-up to his 2002 Pulitzer Prize-winning Middlesex, is clever. There’s one problem with a book being clever, however: the author probably wasn’t going for that. It’s a bit like having a crush tell you you’re merely nice, and not transcendently or life-alteringly wonderful, that you’re worthy of friendship but not heartfelt commitment. It’s a lesser quality.

The book begins on graduation morning at Brown, the three main characters beginning in starkly different places. Our heroine, Madeleine, wakes up with a pounding headache—a blurry night of drink after drink after drink to blame. Her parents, the incomparable Phyllida and Alton, had arrived and planned to take their daughter to breakfast. From there, we are introduced to her illness: she is heartbroken. Having regrettably scuttled her relationship with Leonard weeks earlier, Madeleine is in no mood for breakfast or her parents’ penetrating questions about Leonard—whom the couple still believes Madeleine will live with that fall on Cape Cod.  Continue reading

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